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"We already knew that Thompson is an ageless treasure urgently overdue for her next Oscar nomination," says Tomris Laffley at Harper's Bazaar.
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And so will her leading man, Daryl McCormack (Peaky Blinders). Thompson will get rave reviews for her performance in this charming British comedy drama. Good luck to you, Emma Thompson – not that you'll need it. "For me, it was important to have that solid feel of the models and motion-control spaceships of movies of that era." Confused? To make matters even more complicated, the film-makers have tried to give it the rough-and-ready look of the 1970s and 1980s sci-fi movies which were made before the advent of CGI. "What we focused on was really trying to emulate a cinematic feel and making it chunky," the film's director, Angus MacLane told James White at Empire. The idea is that the Buzz in Toy Story was a piece of spin-off merchandising, and that this new film is the Hollywood blockbuster which inspired that merchandising in the first place – hence it's Chris Evans rather than Tim Allen who provides Buzz's voice. In fact, the latest Pixar cartoon isn't about the toy. "The supernatural element supports the terror, but it's the reality of Finney's situation and Hawke's unnerving Grabber that keep the tension throughout the story."Īfter four Toy Story films, everyone's favourite space ranger action figure, Buzz Lightyear, gets to leave Woody and friends behind, and go off on an adventure on his own. The Black Phone "has managed to exceed extremely high expectations in nearly every aspect," says Amelia Emberwing at IGN. A disconnected phone starts ringing, and soon he is listening to advice from the ghosts of The Grabber's previous victims. Sure enough, Finney finds himself locked away in a soundproof basement. Several local children have been abducted by someone the newspapers are calling "The Grabber", but that doesn't stop one boy, Finney (Mason Thames), talking to a magician (Ethan Hawke) he bumps into after school. Adapted from a short story by Joe Hill, The Black Phone is set in suburban Colorado in 1978. Having directed the first Doctor Strange in 2016, Scott Derrickson dropped out of the sequel to make a creepy horror film redolent of his 2012 hit, Sinister. Released on 1 June in France, 9 June in Singapore, 17 June in the US and 30 June in Germany Yet it also has a fondness for the characters it depicts, ridiculous as it knows them to be." The two men aren't keen on each other, and they're even less keen on the demanding director whose eccentric rehearsal methods border on torture. "From film festival press conferences to deadly serious discussions about process to unquenchable rivalries," says Sophie Monks Kaufman at The Playlist, "it hits the nail on the head again and again. Banderas is a vapid Hollywood action hero who is hired to star in it, and Oscar Martínez joins them as a snooty theatre veteran who grudgingly agrees to play Banderas's brother. Now, once again, that wrong has been righted by Official Competition, a delicious movie-business satire written and directed by Gastón Duprat and Mariano Cohn. Cruz is a pretentious art-house director who is adapting a Nobel-prizewinning novel. Penélope Cruz and Antonio Banderas have been two of Spanish cinema's most glamorous superstars for decades, and yet have only rarely acted on screen together. Released on 3 June in the UK, Ireland and the US "Equal parts confounding, challenging, and insanely fun, Dashcam is horror at its most inventive." But the woman is not quite as harmless as she first appears. "Savage, Hurley, and Shepherd have once again proven a canny ability to tap into the darkest corners of the zeitgeist while producing genuinely entertaining and chilling horror," says Jude Dry at IndieWire. An outspoken Covid-denier and anti-masker, she flies to London to escape US restrictions and ends up giving an old woman (Angela Enahoro) a lift through the countryside in a friend's car. Shot on an iPhone, the film purports to be drawn from a livestream by a Los Angeles-based musician (Annie Hardy). The follow-up from the same director, Rob Savage, and his co-writers, Gemma Hurley and Jed Shepherd, sinks its teeth into the same vein.
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One of the best films of 2020, Host was a low-budget found-footage horror movie which put a demonic twist on all of our pandemic-related fears.